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Author: Nicole Strunk

5 Questions About: Bruno: Conversations with a Brazilian Drug Dealer

We’ve asked authors of books with reviews in the upcoming issue of the Oral History Review to answer 5 questions about why we should read them. In our latest installment of the series, sociologist Robert Gay discusses Bruno: Conversations with a Brazilian Drug Dealer. Matthew Barr’s review of Bruno: Conversations with a Brazilian Drug Dealer is currently […]

OHR Conversations: Densho

In this installment of Oral History Review‘s OHR Conversations, Editorial Assistant Nicole Strunk interviews Tom Ikeda, the founder and executive director of Densho. Together they discuss how the oral history project approaches saving the testimonies and experiences of incarcerated Japanese Americans during World War II.  Listen to audio of the conversation between Tom Ikeda and Nicole Strunk.  […]

Behind the Scenes at OHR: The Book Review

In the fourth installment of our series exploring behind the scenes at OHR, book review editor Nancy MacKay talks about the ins and outs of writing a review for the journal. We always are looking for smart readers like you to take on a book or media project to review! By Nancy MacKay The equation is […]

The Oral History Review Seeks a Copy- and Production Editor

The Oral History Review seeks sensitive, smart, and experienced editor, who likes grammar and long walks on the beach. The Oral History Review, the official journal of the Oral History Association, is accepting applications for an open position on the editorial team, the Copy- and Production Editor. The successful applicant will join OHR’s five-member editorial team […]

5 Questions About: The Oral History Reader

  We’ve asked authors of books that were recently reviewed in the Oral History Review to answer 5 questions about why we should read them. In our latest installment of the series, Alistair Thomson discusses The Oral History Reader which he co-edited alongside Robert Perks. Read the review by Sarah Milligan in OHR. What’s it about and why does it […]

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